Charlie Chan in the Secret Service

Charlie Chan in the Secret Service(1944)

02/14/1944 (US)Comedy, Crime, Mystery1h 3m
5.9

"The screen's most daring sleuth!"

Overview

Charlie Chan is an agent of the US government working in Washington DC and he is assigned to investigate the murder of the inventor of a highly advanced torpedo. Aiding Chan is his overeager but dull-witted son Tommy and his daughter Iris.

Phil Rosen

Director

Earl Derr Biggers

Characters

George Callahan

Writer

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Part of the Charlie Chan (Sidney Toler) Collection

A collection of the Charlie Chan films starring Sydney Toler from 1944 to 1946. Toler took over the role of the brilliant Honolulu detective after the passing of Warner Oland, bringing his own unique charm and dry wit to the character. His portrayal solidified Charlie Chan's place as one of cinema's most iconic detectives. Sydney Toler's take on Charlie Chan was marked by his sharp intellect, calm demeanor, and clever humor. Toler's ability to deliver insightful one-liners while unraveling complex mysteries made him a fan favorite.

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A review by CinemaSerf
6.0

Written on June 30, 2022

I found the dynamic for these mysteries was rarely better than when our Hawaiian detecting duo was father and No.2 son "Jimmy". This first Monogram production involves the weaker supporting character of "Tommy" (Benson Fong) as well as his sister "Iris" (Marianne Quon) and a debut from the inimitable Mantan Moreland as his general factotum "Birmingham Brown". Confucious may have said something along the lines of "two many cooks..." and sadly that is true here. Essentially, "Charlie" is hired by the American government to investigate the murder - at his own cocktail party - of a scientist who had devised a gadget that could help protect Allied shipping from U-boat torpedo attacks. Obviously, it's crucial for "Chan" and his clan to stop the enemy from delivering this vital piece of game-changing equipment to the Nazis - and so the game's afoot! As ever, there is a fair share of distracting red herrings, and Morland has plenty of opportunity to shriek with fear - indeed his is probably the best scene of the film at the end. It is OK, this - but really nothing special.