Charlie Chan's Murder Cruise

Charlie Chan's Murder Cruise(1940)

05/02/1940 (US)Comedy, Crime, Mystery, Thriller1h 17m
6.7

"DEATH AFLOAT...striking swiftly. suddenly...leaving on each strangled victim a calling card of crimson coin...thirty pieces of silver!"

Overview

On a cruise ship from Honolulu to San Francisco, the famous Chinese detective encounters four more murders while trying to figure out the murder of a Scotland Yard friend.

Eugene Forde

Director

Earl Derr Biggers

Story

Robertson White

Screenplay

Lester Ziffren

Screenplay

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Part of the Charlie Chan (Sidney Toler) Collection

A collection of the Charlie Chan films starring Sydney Toler from 1944 to 1946. Toler took over the role of the brilliant Honolulu detective after the passing of Warner Oland, bringing his own unique charm and dry wit to the character. His portrayal solidified Charlie Chan's place as one of cinema's most iconic detectives. Sydney Toler's take on Charlie Chan was marked by his sharp intellect, calm demeanor, and clever humor. Toler's ability to deliver insightful one-liners while unraveling complex mysteries made him a fan favorite.

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A review by CinemaSerf
6.0

Written on June 23, 2022

When his British pal "Insp. Shaw" is killed, our eponymous sleuth must join the passengers on a cruise to find the culprit not just of this, but of another murder too! It has a sort of "Murder on the Orient Express" feeling to it, this, as the fellow travellers are introduced to us, and to "Mr. Chan" (Sydney Toler) and we very quickly ascertain that they are a pretty disparate bunch any of whom might, just, be responsible. It helps the mystery that the there is no obvious character - neither by virtue of their role or their billing - to give it away. It's down to some shrewd detective work from "Chan", aided by his rather hapless, but well meaning No 2 son "Jimmy" (a lively effort from Victor Sen Yung) to work it out. Lionel Atwill, Leo G. Carroll, Charles Middleton and an engagingly ditzy Cora Witherspoon ("Susie") all help keep us guessing until quite an exciting denouement with plenty of red herrings and cleverly staged machinations to trap our strangler. The Confucian-style expressions grate after a while, they are just too contrived - but there is lots going on here to kill 75 minutes well.