Son of Flubber

Son of Flubber(1963)

G
01/16/1963 (US)Comedy, Family, Science Fiction1h 40m
6.0

"The Professor's "Off" and Flying... and FUN SCORES A NEW HIGH!"

Overview

Beleaguered professor Ned Brainard has already run into a pile of misfortunes with his discovery of the super-elastic substance "Flubber." Now he hopes to have better luck with a gravity-busting derivative he's dubbed "Flubbergas." Ned's experiments, constantly hampered by government obstruction, earn the consternation of his wife, Betsy. But a game-winning modification to a football uniform may help Ned make the case for his fantastic new invention.

Robert Stevenson

Director

Bill Walsh

Writer

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Part of the Flubber Collection

The Absent-Minded Professor is a 1961 American film distributed by Walt Disney Productions based on the short story A Situation of Gravity, by Samuel W. Taylor. The title character was based in part on Hubert Alyea, a professor emeritus of chemistry at Princeton University, who was known as "Dr. Boom" for his explosive demonstrations. The film was a huge success at the box-office, and two years later became the first Disney film to have a sequel, 1963's Son of Flubber.

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Son of Flubber

Son of Flubber

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R
A review by r96sk
5.0

Written on June 30, 2020

A poor follow-up to 'The Absent-Minded Professor'.

'Son of Flubber' is inferior in every department. I praise the original for its amusing humour, but this film manages to lose it almost entirely. There are a few smirk-worthy moments, but it's mostly stale.

A large reason for that is the lacklustre plot, which isn't ever interesting. The Flubber itself is rarely used, as they instead focus of its "gas". The conclusion is, like with the 1961 film, rather dull and adds little.

Fred MacMurray, to his credit, is again good in the role of Prof. Brainard. Nancy Olson (Betsy) and Keenan Wynn (Alonzo) are both involved again, while Tommy Kirk (Biff) is shoehorned into a bigger part; not sure why.

Speaking of forced characters, James Westerfield and Forrest Lewis again appear in the roles of officers Hanson & Kelly; they were, in my opinion, only funny in 'The Shaggy Dog', which these films evidently share the same universe with.

Surely this sequel needed to be bigger and grander than the earlier film? Instead it practically follows the same path without setting the world alight. Still, I'm intrigued to see where the story goes for the Disney Channel produced sequels - though I'll have to wait to view, given they oddly aren't on the studio's streaming service or anywhere else.

Overall, this isn't worthy of a watch.