Alien³

Alien³(1992)

R
05/22/1992 (US)Science Fiction, Action, Horror1h 54m
6.4

"Three times the suspense. Three times the danger. Three times the terror"

Overview

After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.

David Fincher

Director

Dan O'Bannon

Characters

Ronald Shusett

Characters

Vincent Ward

Story

David Giler

Screenplay

Walter Hill

Screenplay

Larry Ferguson

Screenplay

Where to Watch

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Fandango At Home

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Part of the Alien Collection

A science fiction horror film franchise, focusing on Lieutenant Ellen Ripley (Sigourney Weaver) and her battle with an extraterrestrial life-form, commonly referred to as "the Alien". Produced by 20th Century Fox, the series started with the 1979 film Alien, then Aliens in 1986, Alien³ in 1992, and Alien: Resurrection in 1997.

Media

Alien 3 | #TBT Trailer | ALIEN ANTHOLOGY

Alien 3 | #TBT Trailer | ALIEN ANTHOLOGY

Trailer

Drowsy on Set: "Alien 3" Creature Performer's Hilarious Mishap

Drowsy on Set: "Alien 3" Creature Performer's Hilarious Mishap

Featurette

Alien 3 | #TBT Trailer | 20th Century FOX

Alien 3 | #TBT Trailer | 20th Century FOX

Teaser

Social

W
A review by Wong
6.0

Written on February 3, 2016

Aliens, a great action movie, cheapened the original by replacing one hyper-intelligent, indestructible monster with an army of gormless critters. This third entry has only one creature, but unfortunately it's just as gormless. When Ripley (Weaver) crash-lands on a prison planet full of hard-nut slap-heads, they haven't seen a woman in years. Discovering that there's an alien loose, Ripley asks the warden to break out the guns, and can't believe it when she is told there aren't any. Nor can we. Good acting has salvaged many a poor script in the past, but not here. Dance is slaughtered in the first act, as is the regulation bastard warden (Glover), leaving only Sigourney, impressive as ever, and a motley cast of extras. Though wasteful of the expensive sets, Fincher's tight close-ups do add to the sense of claustrophobic panic.