Apache Rifles

Apache Rifles(1964)

NR
11/26/1964 (US)Western1h 32m
5.7

"The Cry Was Revenge - And One Man Vowed to Stop the Bloodshed of Two Warring Nations!"

Overview

A young cavalry officer is assigned the job of bringing in a band of Apaches who have been terrorizing the countryside.

William Witney

Director

Charles B. Smith

Writer

Kenneth Gamet

Story

Richard Schayer

Story

Where to Watch

Stream

Amazon Prime Video
Fandor
Philo
Fandor Amazon Channel
Amazon Prime Video with Ads

Rent

Amazon Video
Fandango At Home

Buy

Amazon Video
Fandango At Home

Powered by JustWatch

Popularity Trend

Last 30 Days
This chart shows the popularity trend over the past 30 days.

Media

Social

J
A review by John Chard
5.0

Written on February 9, 2017

Caught in the Crossfire of Passions and Greed!

Apache Rifles is directed by William Witney and adapted to screenplay by Charles B. Smith from a story written by Kenneth Gamet and Richard Schayer. It stars Audie Murphy, Michael Dante, Linda Lawson, L.Q. Jones, Ken Lynch, Joseph Vitale and Robert Brubaker. Music is by Richard La Salle and De Luxe cinematography is by Arch R. Dalzell.

Murphy stars as Capt. Jeff Stanton, a cavalry officer in Arizona territory, 1879, who is assigned to bring to the reservation the runaway Apaches who have had enough of the greedy gold miners pillaging from their promised land. Originally driven by his hatred towards Native Americans, Stanton's cause is muddied when he starts to fall for half Indian Dawn Gillis (Lawson), who in turn is courted by Red Hawk (Dante).

By 1964 the conventional B Western was very much on the wane, with the theme of being sympathetic to the Native Americans having already been explored significantly in far better Westerns than Apache Rifles. Though it never hurts to have another one in any day and age, mind! Apache Rifles is pretty standard stuff, it's decently constructed and paced by Witney, who gets to show his talent for action scenes, Murphy is his usual affable self, even getting to put some emotion conflict into the portrayal, and exterior photography out of Mojave and the Bronson and Red Rock Canyons is most pleasing. It never quite hits the dramatic heights it aims for because the simmering love triangle often stops the picture in its tracks, a shame especially as some political shenanigans could have been explored further, while a quick about turn in the finale smacks of audience manipulation and comes off as a cheat. But it's inoffensive stuff for the most part, enjoyable for the right reasons within its low budget, even if it's just one for Murphy fans to tick off their lists, never to be seen again. 6/10