Blue Jean

Blue Jean(2023)

NR
02/10/2023 (US)Drama1h 37m
6.9

Overview

Jean, a PE teacher, is forced to live a double life. When a new student arrives and threatens to expose her sexuality, Jean is pushed to extreme lengths to keep her job and her integrity.

Georgia Oakley

Director

Georgia Oakley

Writer

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Media

Official US Trailer

Official US Trailer

Trailer

Official Trailer

Official Trailer

Trailer

Gay Bar Clip

Gay Bar Clip

Clip

Peccadillo Sofa Club 2.17: BLUE JEAN Q&A

Peccadillo Sofa Club 2.17: BLUE JEAN Q&A

Featurette

Mark Kermode reviews Blue Jean (2022) | BFI Player

Mark Kermode reviews Blue Jean (2022) | BFI Player

Featurette

Blue Jean director Georgia Oakley, actors Rosy McEwen and Kerrie Hayes and producer Hélène Sifre

Blue Jean director Georgia Oakley, actors Rosy McEwen and Kerrie Hayes and producer Hélène Sifre

Featurette

Dir. Georgia Oakley & Prod. Helene Siffre Interview

Dir. Georgia Oakley & Prod. Helene Siffre Interview

Featurette

"You Can Just Tell"

"You Can Just Tell"

Clip

"It's Complicated"

"It's Complicated"

Clip

Social

C
A review by CinemaSerf
6.0

Written on February 24, 2023

"Jean" (Rosy McEwan) is a physical education teacher at a school in Northern Engand. Privately, she is having a relationship with the out and proud "Viv" (Kerrie Hayes) but the emphasis here is very much on the "privately" - something that her confident girlfriend struggles to comprehend. When "Lois" (Lucy Halliday) joins her netball class, then runs into her in a bar later, things become complicated for "Jean" and the remainder of the film illustrates just a short segment of her troubled life as her pupils start to put two and two together and mischief and malevolence rears their very ugly heads. As a gay lad who lived at the time I am actually a little tired of films that make out that "Thatcher" was some alien space invader sent by God to cleanse society. The views of her government represented massive numbers of people in Britain - across the political spectrum - who were terrified about the perceived adverse influences on children of what they saw as "permissive" practices. Rather than acknowledge these concerns as legitimate (at the time) and put some national context into this story, this film really only takes a couple of people whose relationship never comes across as especially strong anyway, and try to make a greater political point. To have been successful there, balance is essential. The underlying plot issues are potent, but they are not developed anywhere near enough to create substantial characters and instead offer us a rather undercooked swipe at a system that was as broadly representative then as it is not (thankfully) now. The production is all a bit basic and though McEwan offers us a considered performance and the film is certainly worth watching, I had really hoped for something just a bit deeper and stronger.