Creation of the Gods I: Kingdom of Storms

Creation of the Gods I: Kingdom of Storms(2023)

07/15/2023 (US)Action, Fantasy, War2h 28m
7.1

Overview

Based on the most well-known classical fantasy novel of China, Fengshenyanyi, the trilogy is a magnificent eastern high fantasy epic that recreates the prolonged mythical wars between humans, immortals and monsters, which happened more than three thousand years ago.

Wuershan

Director

Ran Ping

Writer

Ran Jianan

Writer

Wuershan

Writer

Cao Sheng

Writer

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Part of the Creation of the Gods Trilogy

The Investiture of the Gods (Fengshen Yanyi), adapted from the 16th-century fantasy novel by Ming dynasty author Xu Zhonglin, is set during the transition between decline of the the Shang dynasty (1600–1046 BC) and the rise of the Zhou dynasty (1600–256 BC). This epic work blends historical events with Chinese mythology, folk religion, and philosophical elements from Confucianism, Buddhism, and Taoism. Featuring a vast array of characters, including deities, demons, immortals, and spirits, it is regarded as a classic that showcases the richness of Chinese culture and imagination.

Media

Official Trailer [Subtitled]

Official Trailer [Subtitled]

Trailer

Making-of: An epic 10 Years in the Making...

Making-of: An epic 10 Years in the Making...

Behind the Scenes

Social

C
A review by CinemaSerf
7.0

Written on October 21, 2023

As with any film that's the first in a trilogy, this spends just a little too long setting out who's who but once it does, this develops into an enjoyable fantasy adventure film that brings a wonderfully vibrant myriad of Chinese mythological and human characters to life. Ancient rivalries and battles between humanity, the deities and some marvellously created mystical beasts - especially the dragons - form the basis of the story set some three millennia ago. Personally, I tended to the side of the immortals - and there's even the slightest hint of a bromance for one of them - as the "Demon Fox", and the manipulative "King Zhou" use mankind's greed, avarice, loyalty and decency to ensure they retain their place at the top of the mountain. The visual effects are usually top drawer and the action scenes avoid the often lazily constructed, repetitive, style of combat scenes. Now the acting isn't the best - indeed there is plenty of woodenness for us to inspect here, and I also found it a bit over-scored, but the richness of the mythology could, a bit like "Lord of the Rings", perhaps, provide for more characterful adventures and personality development in the next film. For a part one, though, it's a long, but increasingly quite compelling watch if you like the genre and appreciate the wealth of stories before us. Get comfy though - we're in for a long ride!