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The Prop That Was Too Dangerous to Wear in 'Videodrome'
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Late-Night Signals, Static, and the Birth of 'Videodrome'
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Cronenberg Had No Ending for ‘Videodrome’ While Filming!
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Cronenberg Had to Re-Train Debbie Harry for the Camera In 'Videodrome'
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Comedian Richard Sandling and Ashens explore the world of Videodrome
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Michael Lennick on Videodrome
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A review by CinemaSerf
6.0
Written on February 9, 2023
"Max" (James Woods) runs a television channel that specialises in adult content. Always on the look out for new and more innovative and shocking content, he stumbles upon a brief series of satellite images that tantalise him. It's on a television talk show that he meets "Nicki" (Debbie Harry) who has a penchant for sex with a twist - and that not only turns them both on, but furthers his desire to obtain his newly found (and pretty violent) content for his Channel 83 output. The other guest on that show is the renowned "Prof. Oblivion" (Jack Creley) who prognosticates that one day the reality of television and video will replace the "real" reality. These threads slowly all tie together when "Nicki" decides that she is going to star in this new "Videodrome" enterprise and "Renn" must now reconcile his concern for her safety with his mounting need to acquire the show. This film is surreal and bizarre and yet it's still quite effective at illustrating the most visceral aspects of human nature - sex, venality, lust - even pain; and the visual effects (particularly towards the last fifteen minutes) must have been particularly effective. It's a bit on the sordid side - not that that's necessarily a bad thing, but at times the seaminess of it all is distracting from the more interesting and provocative aspects of the narrative. Time hasn't been very kind to it either, the effects have lost much of their potency now and the acting is mediocre at best. It is well worth a watch, but I'm not sure that will be the case for very much longer.



























































