The Hound of the Baskervilles

The Hound of the Baskervilles(1983)

PG-13
11/03/1983 (US)Horror, Crime, Mystery, TV Movie1h 40m
6.6

"Holmes and Watson's most chilling case... an age-old curse... a ravenous monster..."

Overview

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

Douglas Hickox

Director

Charles Edward Pogue

Screenplay

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Part of the Sherlock Holmes (Ian Richardson) Collection

The first film follows Sherlock Holmes and Dr. Watson as they locate the Great Mogul diamond, facing challenges and puzzles that test their skills. In the second film, Holmes helps his friend Henry Baskerville, threatened by a cursed lineage and a supernatural dog, combining mystery and suspense. These films appeal to fans of detective fiction and supernatural themes, showcasing Holmes and Watson's complex adventures and intellectual prowess. The first film focuses on cryptic puzzles and the second on the supernatural, highlighting Holmes' versatility. Set in Victorian London, the films' captivating cinematography and detailed set design immerse viewers in the gritty backdrop of the city's mysteries. The stunning visuals and intricate storytelling enhance the cinematic experience, making the films a must-watch for fans of thrilling mysteries and the paranormal.

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A review by CinemaSerf
6.0

Written on November 9, 2025

Ian Richardson delivers quite engagingly here as Sir Arthur Conan Doyle’s fastidious detective “Sherlock Holmes” but I didn’t get so much from Donald Churchill’s contributions as his crucial sidekick “Dr. Watson” in this adapted for television movie. They are intrigued by the mysterious death of an aristocrat at his country home on remote Dartmoor and so descend on the place, at the invitation of “Dr. Mortimer” (Denholm Elliott) and with the new lord of the manor “Sir Henry” (Martin Shaw) to try and ascertain whether there is any truth to local rumours of a legendary hound tormenting the ancestors of the “Baskerville” family. Amidst the dense fog and with a quagmire lurking underfoot eagerly awaiting one false step, it’s a dangerous place to be! I thought Shaw, and his dodgy accent, also rather let this down but otherwise the production elements do work quite well and it looks good as they try to piece things together. It is quite tightly scripted; the supporting cast boasts an array of familiar British faces and the story is consistently paced as it builds nicely to a conclusion that isn’t quite as cinematically menacing as from 1939 or from 1959, but it is still quite effective. It’s all in the eyes…!