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Secrets of the Original Evil Dead Necronomicon!
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A review by John Chard
8.0
Written on October 18, 2015
The Flaming Groovy!
Yes indeed, Sam Raimi and Bruce Campbell are back to shake some action with this remake of their own The Evil Dead (1981), only this time with more money and more overt humour. A quick prologue sets things up nicely, then BAM! Ash (Campbell) and his squeeze are in the cabin of doom and about to be part of a night of unholy demonic terror.
It's a nightmare of the black comedy kind, where Raimi and Campbell invite us to a party and then gleefully pummel us into submission - and we sado-masochistically enjoy it! Ash has grown a pair of cojones and decides to fight back against the demonic forces, cue mucho action with chainsaw and shotgun. There's a quip on the tongue for our hero as well, even as he is battered from pillar to post to make the action work.
Raimi isn't interested in extraneous scenes or exposition, he strips it bare as the pic hurtles along, all while he brings his technical skills with camera and sound design to the fore. The humour is often outrageous, dementedly so, while it's nice to find a group of film makers who don't feel the need to now throw blood and guts at the screen every other scene just to make a formulaic impact.
Bonkers, chilling and devilishly funny. 8/10
Yes indeed, Sam Raimi and Bruce Campbell are back to shake some action with this remake of their own The Evil Dead (1981), only this time with more money and more overt humour. A quick prologue sets things up nicely, then BAM! Ash (Campbell) and his squeeze are in the cabin of doom and about to be part of a night of unholy demonic terror.
It's a nightmare of the black comedy kind, where Raimi and Campbell invite us to a party and then gleefully pummel us into submission - and we sado-masochistically enjoy it! Ash has grown a pair of cojones and decides to fight back against the demonic forces, cue mucho action with chainsaw and shotgun. There's a quip on the tongue for our hero as well, even as he is battered from pillar to post to make the action work.
Raimi isn't interested in extraneous scenes or exposition, he strips it bare as the pic hurtles along, all while he brings his technical skills with camera and sound design to the fore. The humour is often outrageous, dementedly so, while it's nice to find a group of film makers who don't feel the need to now throw blood and guts at the screen every other scene just to make a formulaic impact.
Bonkers, chilling and devilishly funny. 8/10






























































