Drive My Car

Drive My Car(2021)

NR
08/18/2021 (US)Drama2h 59m
7.4

"Go on living."

Overview

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Ryūsuke Hamaguchi

Screenplay

Takamasa Oe

Screenplay

Ryūsuke Hamaguchi

Director

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Media

Official Trailer #2

Official Trailer #2

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Official Trailer

Official Trailer

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Official US Trailer

Official US Trailer

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Hand-picked by MUBI

Hand-picked by MUBI

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Hand-picked by MUBI

Hand-picked by MUBI

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'Drive My Car' (Japan) Wins Best International Film at the 94th Oscars

'Drive My Car' (Japan) Wins Best International Film at the 94th Oscars

Featurette

Ryûsuke Hamaguchi & Min Jin Lee on Drive My Car, Grief, and Silence

Ryûsuke Hamaguchi & Min Jin Lee on Drive My Car, Grief, and Silence

Featurette

Ryûsuke Hamaguchi can't believe he won the Film Not in the English Language award | EE BAFTAs 2022

Ryûsuke Hamaguchi can't believe he won the Film Not in the English Language award | EE BAFTAs 2022

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The moment Ryusuke Hamaguchi realized that Drive My Car was a universal story | Tea with BAFTA

The moment Ryusuke Hamaguchi realized that Drive My Car was a universal story | Tea with BAFTA

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Official Clip

Official Clip

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Ryûsuke Hamaguchi on Drive My Car | NYFF59

Ryûsuke Hamaguchi on Drive My Car | NYFF59

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Oscar Winner Ryusuke Hamaguchi on his Film DRIVE MY CAR Q&A

Oscar Winner Ryusuke Hamaguchi on his Film DRIVE MY CAR Q&A

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DRIVE MY CAR Q&A | TIFF 2021

DRIVE MY CAR Q&A | TIFF 2021

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C
A review by CinemaSerf
7.0

Written on March 27, 2022

"Kafuku" (Hidetoshi Nishijima) is an accomplished stage actor who is directing a performance of Chekhov's "Uncle Vanya" with a group of young actors. He arrives at the venue in his red Saab motor car, determined that only he will drive himself. That's not the policy of the theatre, though, and soon he is placed in the capable hands of the somewhat laconic "Misaki" (Tôko Miura) and as the two start to get used to one and other, and he starts to get to know his new cast, the story unfolds revealing his past - his marriage to a famous playwright that ended in tragedy, and of his driver's own demons as the pair - entirely platonically - begin to fill the gaps left in each other's lives by times gone by. I did quite enjoy this, there are quite a few quirks to the story, not least from the handsome and curiously enigmatic 'Kôji" (Masaki Okada) whose storyline intertwines intriguingly with that of his mentor, and the film adopts a pace of it's own which you will appreciate right from the start (or not!). The dialogue is sparse though, perhaps a little too much so at times, and at almost three hours long it can feel like a bit of a slog at times. Director Ryûsuke Hamaguchi has possibly over indulged himself a little with the style of the film, it dawdles, cinematographically speaking, and I suppose at the title suggests, there are quite a few scenes suggesting that more of a road trip movie might be in order. It is still a very easy film to watch, it requires concentration and somehow the fact that it's that Chekhov play seems apposite, too. I would see it on a big screen if you can - I suspect on television even the most focussed of us might find our attention wandering after a while.