Drugstore Cowboy

Drugstore Cowboy(1989)

R
10/20/1989 (US)Drama, Crime1h 42m
7.1

"Sooner or later, someone will pay the price."

Overview

Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.

Gus Van Sant

Screenplay

Gus Van Sant

Director

Daniel Yost

Screenplay

Where to Watch

Rent

Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home

Buy

Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home

Powered by JustWatch

Popularity Trend

Last 30 Days
This chart shows the popularity trend over the past 30 days.

Media

Trailer

Trailer

Trailer

'Bob Gets A Regular Job' Scene

'Bob Gets A Regular Job' Scene

Clip

'Tom The Priest' Scene

'Tom The Priest' Scene

Clip

'Nadine's Body' Scene

'Nadine's Body' Scene

Clip

'Bob Tries To Rob A Hospital Pharmacy' Scene

'Bob Tries To Rob A Hospital Pharmacy' Scene

Clip

'Nadine Asks For A Dog' Scene

'Nadine Asks For A Dog' Scene

Clip

'Cops Search Bob's Home' Scene

'Cops Search Bob's Home' Scene

Clip

'Bob Haggles Drug Prices' Scene

'Bob Haggles Drug Prices' Scene

Clip

'Robbing A Pharmacy' Scene

'Robbing A Pharmacy' Scene

Clip

Richard Linklater on DRUGSTORE COWBOY

Richard Linklater on DRUGSTORE COWBOY

Featurette

Social

C
A review by CinemaSerf
7.0

Written on November 9, 2025

I reckon this might be the best effort I’ve seen from Matt Dillon as his “Bob” leads a small group of drug addicts who have finessed the art of stealing prescription medication from pharmacies and hospitals alike before retreating to a motel room and an amiable haze of booze and sex. He’s accompanied on his adventures by his wife “Dianne” (Kelly Lynch) and his understudy “Rick” (James Le Gros) and his gal “Nadine” (Heather Graham) who is very, very, green. Of course, their antics have attracted the attention of law enforcement and wily detective “Gentry” (James Remar) is soon on their trail. Aware that they might be living on borrowed time, they flee their usual stomping grounds until a tragedy befalls the group and that has quite a profound effect on a “Bob” who may now be having his own Damascene moment. Is it all going to be too little, too late, though? Both the convincing Lynch and Dillon manage to imbue their roles with quite a degree of personality here; their characterisations are gritty and plausible and well supported by both the others and by a production design that offers us an uncomfortable glimpse into the lives of these (and potentially other) addicts. There’s plenty of pith from the dialogue and even though what they are doing is destructive and illegal, they still manage to illicit a degree of sympathy as things unfold in an almost pitiable fashion. It also takes quite a potent look at societal attitudes to addiction and ask questions about just what solutions we might suggest instead of incarceration and/or state imposed cold turkey.