Gallowwalkers(2012)
R
10/27/2012 (US)Action, Horror, Western1h 30m4.7
Overview
When a nun broke her covenant with God to save the life of her unborn son, Aman, he was cursed for life. As an adult, Aman has killed those who have crossed him. But his curse brings his victims back to life and they pursue him for revenge, so Aman enlists a young gunman to fight by his side against his undead victims.
Andrew Goth
Director
Joanne Reay
Writer
Andrew Goth
Writer
Top Billed Cast
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A review by John Chard
2.0
Written on May 19, 2017
Dreadful.
Tis one of the toughest things in film making to tackle, that of the western/horror hybrid. Here things are further complicated by some sort of attempt to add Gothic leanings and fantastical surrealism. Sadly nothing in the whole film works, it's a collage of botched ideas performed poorly by cast and technical crew alike.
Plot, the attempt at one as such, pitches Wesley Snipes' dreadlocks spirit walker type on a revenge mission to eradicate the undead - who once as humans raped his loved one. Lots of strands are dangled within, flashbacks upon flashbacks, time shifts and characterisation distortions, all set to a parched wild west backdrop.
There's plenty of blood dripped onto the corn but the corn is still corny, while the whole thing is a misogynists wet dream. Production design is decent, with the slaughterhouse sequences - and the costume design - better than average, and Snipes remains cool even if he surely knows he's in a very poor movie.
But ultimately this is very much one to avoid. 2/10
Tis one of the toughest things in film making to tackle, that of the western/horror hybrid. Here things are further complicated by some sort of attempt to add Gothic leanings and fantastical surrealism. Sadly nothing in the whole film works, it's a collage of botched ideas performed poorly by cast and technical crew alike.
Plot, the attempt at one as such, pitches Wesley Snipes' dreadlocks spirit walker type on a revenge mission to eradicate the undead - who once as humans raped his loved one. Lots of strands are dangled within, flashbacks upon flashbacks, time shifts and characterisation distortions, all set to a parched wild west backdrop.
There's plenty of blood dripped onto the corn but the corn is still corny, while the whole thing is a misogynists wet dream. Production design is decent, with the slaughterhouse sequences - and the costume design - better than average, and Snipes remains cool even if he surely knows he's in a very poor movie.
But ultimately this is very much one to avoid. 2/10
