The sound will be produced from the visual on the optical soundtrack – for some parts, I used a 35mm still camera to expose the soundtrack area, and I scratched off the film emulsion directly for other parts. This is my senior thesis project at Binghamton University, and Julie Murray was my advisor.
Tomonari Nishikawa
Director
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Media
Apollo (2003, 6 min., 16mm, sound, b&w, USA/Japan)