The Good, the Bad and the Ugly

The Good, the Bad and the Ugly(1966)

R
12/22/1966 (US)Western2h 41m
8.5

"For three men the Civil War wasn't hell. It was practice."

Overview

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

Sergio Leone

Director

Luciano Vincenzoni

Screenplay

Sergio Leone

Screenplay

Agenore Incrocci

Screenplay

Furio Scarpelli

Screenplay

Luciano Vincenzoni

Story

Sergio Leone

Story

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Danny Trejo announces THE GOOD, THE BAD AND THE UGLY for AFI Movie Club

Danny Trejo announces THE GOOD, THE BAD AND THE UGLY for AFI Movie Club

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Ernest Dickeron on THE GOOD, THE BAD, AND THE UGLY

Ernest Dickeron on THE GOOD, THE BAD, AND THE UGLY

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2010 Governors Awards -- Clint Eastwood on Eli Wallach

2010 Governors Awards -- Clint Eastwood on Eli Wallach

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J
A review by John Chard
9.0

Written on May 8, 2016

I'm looking for the owner of that horse. He's tall, blonde, he smokes a cigar, and he's a pig!

It's debatable of course, since there are legions of fans of the first two films in Sergio Leone's Dollars Trology, but with each film there not only came a longer running time, but also a rise in quality - debatable of course!

Here for the third and final part of the trilogy, Leone adds Eli Wallach to the established pairing of Lee Van Cleef and Clint Eastwood, and brings all his tools of the trade to the party. Plot is slight, the three principals are on a collision course to find some buried gold, with each man having varying degrees of scuzziness, so how will it pan out?

Such is the genius of the narrative, it's a fascinating journey to undertake. The characterisations are ripe and considered, the various traits and peccadilloes beautifully enhanced, and with Leone being Leone, there's no shortage of cruelty and humour. He also brings his style, the close ups, long shots and some outstanding framing of characters in various situations.

The story encompasses The Civil War, which pitches our leads into "The Battle of Branston Bridge", where here we get to see just how great Leone was at constructing full on battle sequences. It's exciting, thrilling and literally dynamite, whilst Aldo Giuffrè as Captain Clinton turns in some memorable support.

The Euro locations pass muster as the Wild West, superbly photographed by Tonino Delli Colli, and then of course there is Ennio Morricone's musical compositions. It's a score that has become as iconic as Eastwood's Man With No Name, a part of pop culture for ever more. It mocks the characters at times, energises them at others, whilst always us the audience are aurally gripped.

There's obviously some daft coincidences, this is after all pasta world, and the near three hour run time could be construed as indulgent. But here's the thing, those who love The Good, The Bad and the Ugly could quite easily stand for another hour of Leone's classic. I mean, more barbed dialogue, brutal violence and fun! Great, surely!

From the sublime arcade game like opening credit sequences, to the legendary cemetery stand-off at the finale, this is a Western deserving of the high standing it is held. 9/10