The Mummy's Shroud(1967)
"Beware the beat of the cloth-wrapped feet!"
Overview
Archaeologists discover the final resting place of a boy king, removing the remains to be exhibited in a museum. By disturbing the sarcophagus they unleash the forces of darkness. The Mummy has returned to discharge a violent retribution on the defilers as the curse that surrounds the tomb begins to come true. One by one the explorers are murdered until one of them discovers the ancient words that have the power to reduce the brutal killer to particles of dust.
John Gilling
Director
John Gilling
Screenplay
Top Billed Cast
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Frankenstein Created Woman/The Mummy's Shroud Double Bill Trailer #1
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The Mummy's Shroud / Original Theatrical Trailer (1967)
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Written on April 20, 2020
The Mummy's Shroud is directed by John Gilling who also co-adapts the screenplay with Anthony Hinds. It stars André Morell, John Phillips, David Buck, Elizabeth Sellars, Maggie Kimberly and Michael Ripper. Music is by Don Banks and cinematography by Arthur Grant.
Mezzera, Egypt, 1920, and an expedition to find the tomb of Pharaoh Kah-to-Bey gets more than they bargained for when they unearth a shroud adorned with the ancient writings of life and death...
The third instalment of Hammer Films forays into Mumified based Egyptology, The Mummy's Shroud follows the standard formula but never the less entertains in undemanding fashion. Released as the support feature to Frankenstein Created Woman (not Frankenstein Must Be Destroyed as listed in some quarters since that was two years later), it's nicely photographed, stoically performed by the cast (especially by Hammer hero Ripper who gets a meaty role) and is pacey enough to uphold the interest. The violence aspects are strongly constructed, but kept mostly in suggestive terms as per visual enticements, and how nice to see the lead ladies here be more than token cleavage.
This was the last Hammer feature to be made at Bray Studios, so it has some poignant significance in the history of Hammer Films. It's not a great send off for Bray, but it's unmistakably one of those Hammer Horror films that fans of the studio's output can easily spend the evening with and not feel it has been time wasted. 6.5/10
