Naked Gun 33⅓: The Final Insult

Naked Gun 33⅓: The Final Insult(1994)

PG-13
03/18/1994 (US)Comedy, Crime1h 23m
6.5

"Mostly all new jokes."

Overview

Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.

Peter Segal

Director

Pat Proft

Writer

David Zucker

Writer

Robert LoCash

Writer

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Part of the Naked Gun Collection

The Naked Gun Collection is a series of hilarious, slapstick comedy films centered around the bumbling police detective, Frank Drebin, played by the iconic Leslie Nielsen. Filled with puns, visual gags, and absurd situations, these films poke fun at the conventions of the crime and detective genre, providing endless laughs and entertainment.

Media

Original Theatrical Teaser Trailer

Original Theatrical Teaser Trailer

Trailer

Trailer

Trailer

Trailer

The Untouchables Parody Scene

The Untouchables Parody Scene

Clip

Social

C
A review by CinemaSerf
6.0

Written on September 3, 2022

Given the huge success of the first two, I suppose the trilogy was bound to happen - but by now the joke and the characterisations had really worn very thin indeed. "Drebin" (Leslie Nielsen) is now happily (?) retired and living with his long-suffering wife "Jane" (Priscilla Presley) when he is sought out by his erstwhile colleagues "Ed" (George Kennedy) and "Nordberg" (OJ Simpson) to help out on their most dangerous case yet. Nope, the Queen is not making another state visit - it's "Rocco" (Fred Ward) and it looks like he wants to save Chris Rock any future embarrassment by blowing up the Oscars ceremony. What now ensues is a by now routine sequence of frying pan to fire scenarios, straight out of a Laurel & Hardy film. Sadly, that humour is all a bit passé now and though an appearance by Anna Nicole Smith must have given every budding actress from Tallahassee to Timbuktu a sense of hope that if she can make it, they can - the rest of it falls pretty flat! It is well enough made, the quips are quickly delivered and some of them still raise the odd smile. In the main, though, it is 80 minutes that almost looks like out-takes from the first two films with a thinly constructed plot by way of a template to hold it all together. It is watchable, but just not a patch on the earlier iterations.