The Witches

The Witches(1967)

NR
02/22/1967 (US)Comedy, Drama1h 51m
6.0

"Woman as she is...all things to men!"

Overview

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

Franco Rossi

Director

Pier Paolo Pasolini

Director

Vittorio De Sica

Director

Luchino Visconti

Director

Mauro Bolognini

Director

Giuseppe Patroni Griffi

Story

Franco Rossi

Story

Bernardino Zapponi

Screenplay

Bernardino Zapponi

Story

Pier Paolo Pasolini

Story

Cesare Zavattini

Story

Fabio Carpi

Screenplay

Furio Scarpelli

Screenplay

Roberto Gianviti

Screenplay

Enzo Muzii

Screenplay

Luigi Magni

Story

Agenore Incrocci

Story

Luigi Magni

Screenplay

Agenore Incrocci

Screenplay

Giuseppe Patroni Griffi

Screenplay

Cesare Zavattini

Screenplay

Furio Scarpelli

Story

Pier Paolo Pasolini

Screenplay

Franco Rossi

Screenplay

Where to Watch

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AFS PRESENTS: THE WITCHES (LE STREGHE)

AFS PRESENTS: THE WITCHES (LE STREGHE)

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R
A review by r96sk
7.0

Written on January 11, 2022

Rather zany, 'The Witches' entertains sufficiently.

Anthology films aren't usually my thing but I found the oddness of this production to be worth watching. It somehow works. There are five stories portrayed, all of which have their moments even if some are definitively better than others. The music is good, also.

"The Witch Burned Alive", the opener, is the standout, "Civic Spirit" is amusingly short, "The Earth Seen from the Moon" is one of the weaker entries as it drags a little, "The Sicilian Belle" is a little forgettable and, the finale, "An Evening Like the Others" is the most strange but does satisfy due to its unusualness and comical nature.

That last one's weirdness is elevated by the appearance of Clint Eastwood - which is made even more peculiar as he doesn't even voice his character due to the Italian language barrier; Giuseppe Rinaldi provides the voice, fwiw. It is bizarre yet, again, does work.

The star of this 1967 release, though, is Silvana Mangano, who leads all five stories. She is excellent across them all, this is my first exposure to her and I'm intrigued to potentially see more of her work in the future.