Now, Voyager

Now, Voyager(1942)

NR
10/22/1942 (US)Romance, Drama1h 57m
7.4

"It happens in the best of families. But you'd never think it could happen to her!"

Overview

A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.

Irving Rapper

Director

Casey Robinson

Screenplay

Where to Watch

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Media

BFI Restoration Trailer

BFI Restoration Trailer

Trailer

Now, Voyager - Trailer

Now, Voyager - Trailer

Trailer

Don't Let's Ask for the Moon, We Have the Stars

Don't Let's Ask for the Moon, We Have the Stars

Clip

'Now, Voyager': Costume Designer Mark Bridges on the Bette Davis Classic | Follow the Thread

'Now, Voyager': Costume Designer Mark Bridges on the Bette Davis Classic | Follow the Thread

Featurette

Now, Voyager (1942): Guest Programmer Sally Field with Robert Osborne - Bette Davis - 1940s Films

Now, Voyager (1942): Guest Programmer Sally Field with Robert Osborne - Bette Davis - 1940s Films

Featurette

We Have the Stars

We Have the Stars

Clip

Social

C
A review by CinemaSerf
8.0

Written on June 26, 2022

Bette Davis at her best took some beating, and here is one such an example. Together with expertly delivered performances from Claude Rains and Gladys Cooper we are presented with an emotional roller-coaster of a film. Davis starts as the hen-pecked daughter of Cooper, until she encounters Rains' "Dr. Jaquith" who decides that he may be able to help this erstwhile shy spinster find herself a little purpose in life. She is despatched on a cruise liner where she meets the married "Jerry" (Paul Henried) and though there is a semblance of a romance, it can come to nothing and it is only after a long, occasionally torrid but always riveting series of scenarios, that we begin to arrive at anything that might resemble a conclusion. Irving Rapper does really well to allow Max Steiner's score and an excellent Casey Robinson screenplay to empower his stars to create and develop characters in whom - especially Davis - we can readily invest. I have never been Henreid's biggest fan, I always found him just a little bit insipid, but he works well here as does a really on form Cooper in the role of her mother. Seen very recently on a big screen again after almost 80 years, and it has lost none of it's style, panache and wonderfully paced sense of the dramatic. Great stuff!