Taxi

Taxi(1998)

04/08/1998 (US)Action, Comedy, Crime, Adventure1h 26m
6.7

Overview

In Marseilles a skilled pizza delivery boy Daniel who drives a scooter finally has his dreams come true. He gets a taxi license. Caught by the police for a huge speed infraction, he will help Emilien, a loser inspector who can't drive, on the track of German bank robbers, so he doesn't lose his license and his dream job.

Luc Besson

Screenplay

Gérard Pirès

Director

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Part of the Taxi Collection

In terms of box office admissions, the "Taxi" series is one of the most successful French franchises ever, grossing a reported total of $200 million worldwide and 23 million admissions in France.

Media

Taxi Movie Trailer 1998 - English Subtitled

Taxi Movie Trailer 1998 - English Subtitled

Trailer

Social

C
A review by CinemaSerf
7.0

Written on March 6, 2025

“Daniel” (Samy Naceri) is a record-breaking pizza delivery man in Marseille who is on the cusp of attaining his two greatest wishes. Sex with his pal “Lily” (Marion Cotillard) and his licence to drive a taxi. Then his phone reminds him that to achieve the latter he will have to, temporarily he hopes, forgo the former and get to the licensing centre. By way of some celebratory foolishness, though, he doesn’t have it long as he drives his cab like he rides his bike, and the local constabulary aren’t so impressed. Luckily, it’s the pretty hapless “Émilien” (Frédéric Diefenthal) who apprehends him and he has bigger fish to fry with some elusive bank robbers. He reckons he can use his new friend’s driving skills and intimate knowledge of the city to help him track the criminals down (he can’t actually drive!) and so now an unlikely pairing is born. Luc Besson has crafted an entertaining movie here that is a spoof of just about every cop/buddy-cum-heist film you’ve ever seen and for the most part it works. There is plenty of action on the streets, but there’s also some good fun to be had as the bromance develops and it soon becomes clear that “Daniel” would make a far better gendarme than “Émilien” ever would. Add to the mix the latter man’s frustrated affection for his colleague “Petra” (Emma Wiklund) and his ineptness seems to know few bounds. Both Naceri and Diefenthal work well together presenting an engaging, borderline slapstick, comedy that ends with an enjoyably high-octane homage to the “Italian Job” (1969) before scenes that might hint sequel! I enjoyed this.