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The Cantor's Playlist with Jason Schwartzman
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Between the Temples Q&A with Nathan Silver, C. Mason Wells, Carol Kane, and Jason Schwartzman
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Carol Kane, Nathan Silver, Robert Smigel, and Cindy Silver on Between the Temples
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'Lifetime Learners' with Jason Schwartzman & Carol Kane
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'Between The Temples' with Carol Kane & Nathan Silver | Academy Conversations
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Carol Kane's Fantasy Bat Mitzvah
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Nathan Silver's Between The Temples is only in cinemas in one week.
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Life on the Screen with Nathan and Cindy Silver
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"Jdate" Official Clip
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A review by CinemaSerf
7.0
Written on August 27, 2024
"Cantor Ben" (Jason Schwartzman) has recently become a widower and is struggling to get on with his job working for Rabbi "Bruce" (Robert Smigel) at the Sinai Synagogue. He has one too many chocolate-laced "Mudslingers" in a bar one evening and that leads to an altercation that leads to a reunion with "Carla" (Carol Kane). Though neither recall immediately, it transpires that she used to be his childhood music teacher. Next thing we know, she has turned up at his synagogue where she declares her Jewish heritage and that she wishes to have her Bat Mitzvah. I didn't know that took over year to study and prepare for, and neither did she - but after a bit of convincing, he is cajoled into preparing her and the story picks up the pace as, predictably but not in a predictable fashion, the two start to bond. "Ben" lives with his two mothers - "Judith" (Dolly De Leon) and "Meira" (Caroline Aaron) who are keen on him settling down again with a nice girl, and to that end they try to set him up with the Rabbi's daughter "Gabby" (Madeline Weinstein) but somehow we just know that this solution that would please friends and family alike isn't likely to be the one he goes for. It's not especially innovative, this film - we've seen this sort of drama often before. What this does, though, is entertainingly take a look at the contractions of tradition and at belligerence. It invites us to consider what makes people happy, why age matters, and two dinner scenario towards the end provide for quite an effective conduit for true colours to come out and judgements to be delivered. It's comedic rather than a comedy - there aren't any laugh-out-loud moments; with the writing quite potent at times and an enjoyable rapport developing between the two characters uncertain of their next move. Kane steals this with her delicate delivery of a strong yet venerable persona, and although it does strive to contrive once or twice, it's still quite an enjoyable look at hypocrisy and faith and kosher burgers.



























































