Secrets & Lies

Secrets & Lies(1996)

R
05/24/1996 (US)Drama2h 22m
7.6

"Roxanne drives her mother crazy. Maurice never speaks to his niece. Cynthia has a shock for her family. Monica can't talk to her husband. Hortense has never met her mother."

Overview

After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.

Mike Leigh

Director

Mike Leigh

Writer

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Media

Official Trailer

Official Trailer

Trailer

Secrets & Lies Q&A | Mike Leigh in Conversation

Secrets & Lies Q&A | Mike Leigh in Conversation

Featurette

Channel 4 Promo

Channel 4 Promo

Teaser

Mike Leigh on the Making of Secrets & Lies

Mike Leigh on the Making of Secrets & Lies

Featurette

United States TV Spot

United States TV Spot

Teaser

Director's Cut: Mike Leigh on Secrets and Lies - Film 2011 With Claudia Winkleman - BBC

Director's Cut: Mike Leigh on Secrets and Lies - Film 2011 With Claudia Winkleman - BBC

Featurette

Main Title Sequence

Main Title Sequence

Clip

Photo Studio Scene

Photo Studio Scene

Clip

Brenda Blethyn on Secrets & Lies

Brenda Blethyn on Secrets & Lies

Featurette

Social

C
A review by CRCulver
8.0

Written on May 27, 2018

SECRETS AND LIES is a 1996 film by Mike Leigh that, appropriately enough, is concerned with the things that members of a family conceal from each other.

Hortense (Marianne Jean-Baptiste), a black woman in London who has made a successful career as an optician, knew from a young age that she was adopted, but only after her adopted mother's death does she decide to look up her birth mother. Hortense is shocked to find that it is Cynthia (Brenda Blethyn), not just white but living in near-poverty and wallowing in regret. Cynthia has a tumultuous relationship with her acknowledged daughter Roxanne (Claire Rushbrook), who she fears to be repeating her own youthful mistakes. Cynthia also finds its hard to relate to her brother Maurice (Timothy Spall) and his cold wife Monica (Phyllis Logan), who have done well from a photo shop business. Hortense's entry into this family ultimately shatters their miserable status quo, but not without some heartbreak on the way.

At this point in his career, Mike Leigh had perfected a filmmaking technique by which he had his actors live out their roles in everyday situations in the street for weeks before he started shooting. Consequently, by the time these actors were captured on film, they are totally convincing as their characters, and the characters are fleshed out through the little details that Leigh allowed to bring to them in improvising. The viewer feels that he knows these people deeply. Leigh also has a way of mixing pathos and humour. He not only will insert a comedic shot after a poignant one, but he'll then present ambiguous images where the viewer is unsure whether he should laugh or cry.

While the acting and that dash of humour is quite powerful, there are elements that hold me back from universally praising this film. I've never been impressed by Leigh's use of music, which feels cheap, and only one shot (a deftly timed outdoor barbecue) was truly impressive in its mis-en-scène. And I find Leigh's previous film Naked a slightly more successful application of his art. Still, the acting in SECRETS AND LIES is really something, and I would generally recommend this film.