Terms of Endearment

Terms of Endearment(1983)

PG
11/20/1983 (US)Drama, Comedy2h 12m
7.1

"Come to laugh, come to cry, come to care, come to terms."

Overview

Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.

James L. Brooks

Director

James L. Brooks

Screenplay

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Part of the Terms of Endearment Collection

Terms of Endearment is a 1983 American family comedy-drama film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name. It stars Debra Winger, Shirley MacLaine, Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow. The film covers 30 years of the relationship between Aurora Greenway (MacLaine) and her daughter Emma (Winger). Terms of Endearment received critical acclaim and was a major commercial success, grossing $164.2 million worldwide, becoming the 2nd highest grossing film of 1983 worldwide. The film received a leading eleven nominations at the 56th Academy Awards, and won five (more than any other film nominated that year): Best Picture, Best Director, Best Actress (for MacLaine), Best Adapted Screenplay, and Best Supporting Actor (for Nicholson). A sequel to the film, The Evening Star (1996), in which MacLaine and Nicholson reprised their roles, was a critical and commercial failure.

Media

Terms of Endearment (1983) Original Trailer [FHD]

Terms of Endearment (1983) Original Trailer [FHD]

Trailer

James L. Brooks | Best Director for 'Terms of Endearment' | Behind the Oscars Speech

James L. Brooks | Best Director for 'Terms of Endearment' | Behind the Oscars Speech

Featurette

James L. Brooks on TERMS OF ENDEARMENT

James L. Brooks on TERMS OF ENDEARMENT

Featurette

James L. Brooks ‪Wins Best Director: 1984 Oscars

James L. Brooks ‪Wins Best Director: 1984 Oscars

Featurette

Terms of Endearment - Trailer

Terms of Endearment - Trailer

Teaser

Terms of Endearment Wins Best Picture: 1984 Oscars

Terms of Endearment Wins Best Picture: 1984 Oscars

Featurette

Terms of Endearment 1983 TV trailer

Terms of Endearment 1983 TV trailer

Teaser

Shirley MacLaine Says Jack Nicholson Is "Channeling"

Shirley MacLaine Says Jack Nicholson Is "Channeling"

Featurette

Shirley MacLaine Wins Best Actress: 1984 Oscars

Shirley MacLaine Wins Best Actress: 1984 Oscars

Featurette

Jack Nicholson Wins Supporting Actor: 1984 Oscars

Jack Nicholson Wins Supporting Actor: 1984 Oscars

Featurette

Social

C
A review by CinemaSerf
7.0

Written on June 24, 2022

I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.