The Third Man

The Third Man(1949)

NR
08/31/1949 (US)Thriller, Mystery1h 45m
7.9

"Hunted by men ... Sought by WOMEN!"

Overview

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

Carol Reed

Director

Graham Greene

Screenplay

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Media

75th Anniversary Collector's Edition 4K SteelBook Official Trailer

75th Anniversary Collector's Edition 4K SteelBook Official Trailer

Trailer

4K Restoration Official Trailer

4K Restoration Official Trailer

Trailer

Official Trailer

Official Trailer

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Official Short Trailer

Official Short Trailer

Trailer

Official Trailer

Official Trailer

Trailer

STUDIOCANAL PRESENTS: THE PODCAST - Episode 3 | A deep dive into The Third Man

STUDIOCANAL PRESENTS: THE PODCAST - Episode 3 | A deep dive into The Third Man

Featurette

Ernest R. Dickerson on ‘The Third Man’ and Its Influential Cinematography | TCMFF 2022

Ernest R. Dickerson on ‘The Third Man’ and Its Influential Cinematography | TCMFF 2022

Featurette

Restoring A Classic - Stunning 4K Edition

Restoring A Classic - Stunning 4K Edition

Featurette

Martin Scorsese & Ben Wheatley On Graham Greene’s Script - Discussion

Martin Scorsese & Ben Wheatley On Graham Greene’s Script - Discussion

Featurette

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Clip

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C
A review by CharlesTheBold

Written on February 18, 2017

Holly Martens (Joseph Cotten) receives a job offer from his friend Harry Lime (Orson Welles) in postwar occupied Vienna. He arrives there only to find that Lime is dead and every witness has a different story. Being a pulp writer, Holly thinks he can solve the mystery.

But this is a Graham Greene story, and the mystery is not just a whodunit but an exploration of evil. Tangling with a nihilistic band of black marketers exploiting the corruption and ruin of a great city after the war, Holly is told that he is in way over his head.

The movie has many unusual touches. Expressionist camerawork increases the feeling of dread. The traditional orchestral accompaniment is eliminated, replaced by a single folk musician playing an eerie tune on a zither. Several scenes of the movie are in un-subtitled Austrian-German, leaving the audience feeling as bewildered as Holly as he tries to communicate with the locals. Holly's amateur sleuthing is frequently comic, in a story that is deadly serious.

One of the masterpieces of noir cinema.