Top Billed Cast
Popularity Trend
Last 30 Days
This chart shows the popularity trend over the past 30 days.
Media

75th Anniversary Collector's Edition 4K SteelBook Official Trailer
Trailer

4K Restoration Official Trailer
Trailer

Official Trailer
Trailer

Official Short Trailer
Trailer

Official Trailer
Trailer

STUDIOCANAL PRESENTS: THE PODCAST - Episode 3 | A deep dive into The Third Man
Featurette

Ernest R. Dickerson on ‘The Third Man’ and Its Influential Cinematography | TCMFF 2022
Featurette

Restoring A Classic - Stunning 4K Edition
Featurette

Martin Scorsese & Ben Wheatley On Graham Greene’s Script - Discussion
Featurette

Clip
Clip
Social
C
A review by CharlesTheBold
Written on February 18, 2017
Holly Martens (Joseph Cotten) receives a job offer from his friend Harry Lime (Orson Welles) in postwar occupied Vienna. He arrives there only to find that Lime is dead and every witness has a different story. Being a pulp writer, Holly thinks he can solve the mystery.
But this is a Graham Greene story, and the mystery is not just a whodunit but an exploration of evil. Tangling with a nihilistic band of black marketers exploiting the corruption and ruin of a great city after the war, Holly is told that he is in way over his head.
The movie has many unusual touches. Expressionist camerawork increases the feeling of dread. The traditional orchestral accompaniment is eliminated, replaced by a single folk musician playing an eerie tune on a zither. Several scenes of the movie are in un-subtitled Austrian-German, leaving the audience feeling as bewildered as Holly as he tries to communicate with the locals. Holly's amateur sleuthing is frequently comic, in a story that is deadly serious.
One of the masterpieces of noir cinema.
But this is a Graham Greene story, and the mystery is not just a whodunit but an exploration of evil. Tangling with a nihilistic band of black marketers exploiting the corruption and ruin of a great city after the war, Holly is told that he is in way over his head.
The movie has many unusual touches. Expressionist camerawork increases the feeling of dread. The traditional orchestral accompaniment is eliminated, replaced by a single folk musician playing an eerie tune on a zither. Several scenes of the movie are in un-subtitled Austrian-German, leaving the audience feeling as bewildered as Holly as he tries to communicate with the locals. Holly's amateur sleuthing is frequently comic, in a story that is deadly serious.
One of the masterpieces of noir cinema.
































































