Afraid

Afraid(2024)

PG-13
08/28/2024 (US)Horror, Science Fiction, Thriller1h 24m
5.9

"Be careful what you let in."

Overview

Curtis Pike and his family are selected to test a new home device: a digital assistant called AIA. AIA observes the family's behaviors and begins to anticipate their needs. And she can – and will – make sure nothing – and no one – gets in her family's way.

Chris Weitz

Director

Chris Weitz

Writer

Where to Watch

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Media

Official UK Trailer

Official UK Trailer

Trailer

Official Trailer

Official Trailer

Trailer

Extended Preview

Extended Preview

Clip

Don't be afr𝐚𝐢d to make sacrifices.

Don't be afr𝐚𝐢d to make sacrifices.

Teaser

Don't worry, AIA will take care of you.

Don't worry, AIA will take care of you.

Teaser

AIA is Always Watching

AIA is Always Watching

Featurette

AIA Destroys Career

AIA Destroys Career

Featurette

AIA is Already Inside

AIA is Already Inside

Featurette

Dream Job

Dream Job

Featurette

Papa

Papa

Teaser

What Are You

What Are You

Teaser

Control

Control

Teaser

AFRAID Revised

AFRAID Revised

Teaser

Ultimate AI Vignette

Ultimate AI Vignette

Featurette

Media Access

Media Access

Teaser

Social

C
A review by CinemaSerf
5.0

Written on August 31, 2024

John Cho was clearly a bit desperate to get off the starship "Enterprise" so took on the mantle of the dad "Curtis" in this predictable and derivative sci-fi yarn. He's happily married to "Meredith" (Katherine Waterston); they have three kids and he's in the advertising business. When his business is offered a fortune by an AI company to support their new at-home assistant "AIA", he finds his family are now the chief guinea pigs on the user-testing front. What now ensues sees the family's hitherto peaceable existence thrown into exaggerated turmoil by this gadget that ostensibly wants to help each of them out, but that does - of course - merely highlight plenty of the demons and issues that each is facing or has suppressed over the years. In some ways the plot does focus on the encroachment of technology in our lives and as "Curtis" himself asks, at what point will we ever be satisfied with the level of involvement it has in our existence before we call a halt to continued "enhancements", but those philosophical moments are few and far between as this short-ish drama follows an oft-travelled path that is short on scares and long on the been there, seen that. None of the acting is worth writing home about, nor is the screenplay and it's initially quite menacing premiss is swiftly reduced to something episodic that just makes me wonder how long we'll have to wait for "AfrAId II" or "Still AfrAId?". It's adequate TV fodder for the winter, but otherwise little better than an weakly adapted short story that fits perfectly into the mediocrity of the Blumhouse churn-factory.