Psycho II

Psycho II(1983)

R
06/03/1983 (US)Horror, Mystery, Thriller1h 53m
6.5

"It's 22 years later, and Norman Bates is coming home."

Overview

Norman Bates is declared sane and released from the facility in which he was being held, despite the complaints of Lila Loomis, sister of his most famous victim. Is he really cured, or will he kill again?

Richard Franklin

Director

Tom Holland

Writer

Robert Bloch

Characters

Where to Watch

Stream

IndieFlix
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Rent

Amazon Video
Apple TV
Google Play Movies
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Buy

Amazon Video
Apple TV
Google Play Movies
YouTube
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Part of the Psycho Collection

Series of American horror films, loosely based on the "Psycho" novels by Robert Bloch, which focuses on the deeply disturbed individuals who operate the Bates Motel.

Media

Psycho II ≣ 1983 ≣ Trailer #1

Psycho II ≣ 1983 ≣ Trailer #1

Trailer

Psycho II ≣ 1983 ≣ Trailer #2

Psycho II ≣ 1983 ≣ Trailer #2

Trailer

Psycho II ≣ 1983 ≣ Trailer #3

Psycho II ≣ 1983 ≣ Trailer #3

Trailer

Official Trailer

Official Trailer

Trailer

Psycho II ≣ 1983 ≣ TV Spot #4

Psycho II ≣ 1983 ≣ TV Spot #4

Teaser

Psycho II ≣ 1983 ≣ TV Spot #3

Psycho II ≣ 1983 ≣ TV Spot #3

Teaser

Psycho II ≣ 1983 ≣ TV Spot #2

Psycho II ≣ 1983 ≣ TV Spot #2

Teaser

Psycho II ≣ 1983 ≣ TV Spot #1

Psycho II ≣ 1983 ≣ TV Spot #1

Teaser

Original TV Spot

Original TV Spot

Teaser

Mother Gets Knife Happy

Mother Gets Knife Happy

Clip

Norman Can't Keep It Together

Norman Can't Keep It Together

Clip

Social

J
A review by John Chard
7.0

Written on October 19, 2014

We all go a little sequel crazy sometimes.

22 years after the murderous and maniacal events at Bates Motel, Norman Bates, freshly released from a mental institution, is back home; and the spectre of ”Mother” is waiting to greet him.

We could say it was a cynical attempt at latching onto the coat tails of the 1980s slasher boom, but in spite of having the unenviable task of being a sequel to a masterpiece, Psycho II is a rather nifty sequel.

Director Richard Franklin is helped by having Anthony Perkins and Vera Miles heading up the cast list, this gives the film instant credibility, and while the mighty spectre of Hitchcock looms large, Franklin doesn’t copy the maestro and brings his own visual smarts to the piece.

Tom Holland’s screenplay doesn’t mimic either, expanding the Bates story with a series of quality twists whilst keeping the mystery element strong and the gripping factor on the high heat. Dean Cundey (cinematography) and Jerry Goldsmith (music) round out the strong points of the film’s tech credits.

Not to be dismissed as a lazy cash in, this is well worth a look. Great ending as well! 7/10