Typist Artist Pirate King

Typist Artist Pirate King(2023)

10/27/2023 (US)Drama, Comedy1h 48m
6.8

"Reality is just around the bend."

Overview

In a last-ditch mission to get recognition for her talent, Audrey Amiss (Monica Dolan) persuades her psychiatric nurse, Sandra Panza (Kelly Macdonald) to take her on a road trip back to where her story began – but with so many deviations along the way, will they ever make it?

Carol Morley

Director

Carol Morley

Writer

Where to Watch

Stream

Strand Releasing Amazon Channel

Rent

Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home

Buy

Amazon Video
Apple TV
Google Play Movies
YouTube
Fandango At Home

Powered by JustWatch

Popularity Trend

Last 30 Days
This chart shows the popularity trend over the past 30 days.

Media

Official UK Trailer

Official UK Trailer

Trailer

Carol Morley and the cast and crew of Typist Artist Pirate King | BFI Q&A

Carol Morley and the cast and crew of Typist Artist Pirate King | BFI Q&A

Featurette

TYPIST ARTIST PIRATE KING - First clip

TYPIST ARTIST PIRATE KING - First clip

Clip

TYPIST ARTIST PIRATE KING clip | 2022

TYPIST ARTIST PIRATE KING clip | 2022

Clip

Social

C
A review by CinemaSerf
6.0

Written on December 30, 2023

This is actually quite a difficult film to review. I thought the performances here, especially from Monica Dolan as "Audrey" but also of Kelly Macdonald as "Sandra" were really quite poignant. The former is a lady with mental health issues, the latter is her psychiatric helper. "Audrey", who believes she is terminally ill, has moments of amazing lucidity followed by moments of violent temper tantrums and almost hallucinatory conversations with people real and imaginary whilst "Sandra" finds herself drawn more into her turbulent world, and more determined to try to make a difference. "Audrey" makes frequent reference to her friend "Dorothy" (Gina McKee) and so "Sandra" agrees to drive her to try and find her - in the hope that it might offer some degree of explanation and maybe even closure for her clearly pained companion. Along the way they push each other to the limits of exasperation and frustration, leaving "Sandra" emotionally exhausted but still undaunted after a period in which most of us, I suspect, would have jumped ship. The story itself, and the production I liked much less. It cannot have had much of a budget and in my opinion too much was left to the roller-coaster characterisations, abandoning the look and feel of the film to that rather basic, filmed early on a Sunday morning, style. It's twenty minutes too long and is extremely dialogue heavy. Whilst some of that is entertaining as well as challenging, it also never gives the audience time for the odd breather so we can actually absorb some of the information we are being pretty relentlessly bombarded with. It's thought provoking and don't expect an easy watch - do expect a BAFTA nomination for Monica Dolan though, she's very good.